My introduction to The Shadow came in 1969 when Bantam paperbacks reprinted the first novel. I’m sure by now all of you know that the author, Maxwell Grant, was a pseudonym for the legendary Walter B. Gibson. I was vaguely aware of The Shadow by this time, but had never read any of the original pulp magazines. I was already heavily into the Bantam Book’s Doc Savage reprints, and I had some basic knowledge about the pulp era. The Living Shadow was one of those books where I thought to myself, “I want to write like that!” Gibson layered his prose with strong images and swift action. Unlike Doc Savage, The Shadow had no qualms about blasting a villain apart with his dual smoking hot .45 automatics. The Shadow lived in a world of dark alleys; this was Old Manhattan, and there are thugs and con-men and villains with murderous intent. In this premier adventure, The Shadow is assisted by the young Harry Vincent and brainy Claude Fellows who help him unravel the secret of some recent murders. Re-reading the story today, the plot is convoluted and hasty, which wasn’t unusual for many pulp stories. These are features that were cranked out in a few days. The basic premise has The Shadow and his agents solving the murder of millionaire Geoffrey Laidlow. This is also the first of many Shadow stories that features an Asian as the villain, in this case Wang Foo. The Shadow would visit Chinatown many times in his long career. Walter Gibson was a master at creating mood, and his characters, while considered stereotypical by today’s politically correct standards, are fully realized and often complex. The Shadow himself is a mysterious, almost supernatural figure. His identity would undergo a metamorphosis as the series progressed, but not always effectively. Gibson reportedly wrote 282 out of the 325 original Shadow novelettes. I haven’t read them all, but I’ve read a lot, and the pacing is consistent, the action relentless, the plot twists implausible but fun to read. For many years The Shadow stories have been reprinted by Sanctum Books as double-editions, and many of these have become collector’s items themselves. The Sanctum Books reproduce the original covers and interior illustrations and shouldn’t be missed by fans of classic pulp fiction. Those Bantam Books Shadow paperbacks remain favorites of my collection. Bantam followed with, The Eyes of the Shadow, The Shadow Laughs, The Death Tower, The Ghost Makers, Hidden Death, Gangdom’s Doom, and more.